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State of the World's Minorities and Indigenous Peoples 2016 - Case study: Estonia's Seto people host Finno-Ugric Capital of Culture in Obinitsa village

Publisher Minority Rights Group International
Publication Date 12 July 2016
Cite as Minority Rights Group International, State of the World's Minorities and Indigenous Peoples 2016 - Case study: Estonia's Seto people host Finno-Ugric Capital of Culture in Obinitsa village, 12 July 2016, available at: https://www.refworld.org/docid/5796080f15.html [accessed 3 November 2019]
DisclaimerThis is not a UNHCR publication. UNHCR is not responsible for, nor does it necessarily endorse, its content. Any views expressed are solely those of the author or publisher and do not necessarily reflect those of UNHCR, the United Nations or its Member States.

By Annela Laaneots

Seto are indigenous to the territories of what is now south-east Estonia and north-west Russia. But while in Russia Seto are recognized as a small indigenous people, in Estonia their status has not been formally recognized, despite their self-identification. With a total population of 12,000, of whom 2,000 live in Setomaa, their traditional territory, Seto have a unique identity sustained by their own language, heritage and identity. An example of this is Seto polyphonic 'leelo' singing, a tradition included on the United Nations Educational, Scientific and Cultural Organization's global list of intangible cultural heritage and an important source of pride for the community.

The year 2015 was a remarkable one for Seto people as one of their cultural centres, the village of Obinitsa, held the title of Finno-Ugric Capital of Culture. This annual award was developed by the Youth Association of Finno-Ugric Peoples (MAFUN) with the aim of strengthening the common identity of Finno-Ugric peoples, to which Seto belong, raising awareness of kindred Finno-Ugric communities and languages, as well as stimulating local development in different Finno-Ugric regions. Loosely modelled after the European Capitals of Culture programme, it has been adapted to reflect Finno-Ugric realities. This means a focus on rural areas as the primary repositories of the living Finno-Ugric heritage.

As the Seto village of Obinitsa has a long history of collaboration with other Finno-Ugric peoples, the title was well-deserved. The central objective was to mutually learn and teach about different aspects of cultural heritage between communities: for example, Seto masters taught representatives of other Finno-Ugric peoples the community's handicrafts, cooking, singing and dancing, while at the same time learning from their counterparts. These exchanges led to a number of new creative economy initiatives, including in the field of tourism development. During the year, over 60 cultural events – exhibitions, workshops, concerts, film festivals and much more – were held. A new art gallery and a Finno-Ugric flag square were opened. As a result, this tiny village of 168 residents hosted over 25,000 visitors.

In addition to holding traditional cultural events, Obinitsa became an arena to discuss a number of topics of central importance for Finno-Ugric communities, many of whom are facing a dramatic decline in the number of people who can speak their languages and the threat of assimilation into dominant cultures. A conference on ethno-futurism (an international movement with Estonian, including Seto, roots) and a Forum of Finno-Ugric Villages are just a few examples of how Obinitsa served as both a cultural and intellectual centre for the Finno-Ugric world. A key factor of Obinitsa's success as Finno-Ugric Capital of Culture was effective communication about the initiative both in Estonia and other Finno-Ugric countries and regions. This was accomplished through, for example, a multimedia website, an active social media presence, webcasts of video clips documenting nearly every programme event and a special Setomaa theme page on Estonia's most popular web portal.

While Obinitsa also faced a number of challenges during the year, such as mobilizing the entire village population and ensuring sufficient financing to support the year's ambitious programme, the end result was a remarkable success, and an inspiration both for Seto people and other kindred Finno-Ugric peoples. The initiative is an impressive example of how cultural heritage can be placed in the service of not only artistic and intellectual expression, but also further socio-economic development and broader recognition of an indigenous community.

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